Robert Harding
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Artemidora, A.D. 90-100. From Meir. Mummy. Metropolitan Museum of Art, New York, USA. The mask portrays a young woman lying flat as if upon her bier. Her hair is arranged in tiers of snail curls over her forehead. Alongside her face flows a black Egyptian-style wig, the long locks bound with narrow rings of gold in pharaonic fashion. https://images.robertharding.com/zoom/RM/RH/VERTICAL/1350-2075.jpg1350-2075https://www.robertharding.com/licenses-explained/https://www.robertharding.com/preview/1350-2075/artemidora-ad-meir-mummy-metropolitan-museum-art-new/
1350-2075 - Artemidora, A.D. 90-100. From Meir. Mummy. Metropolitan Museum of Art, New York, USA. The mask portrays a young woman lying flat as if upon her bier. Her hair is arranged in tiers of snail curls over her forehead. Alongside her face flows a black Egyptian-style wig, the long locks bound with narrow rings of gold in pharaonic fashion.
Plain of Jars, Central Laos - February 2003: A dramatic sunset forms a dramatic backdrop behind the mysterious Plain of Jars in central Laos. The stone jars are still an enigma for archeologists, who have dated the relics to the period between 500 BC and 800 AD. There are many theories as to what the jars were used for and how they were created, but none of the theories are considered definitive. https://images.robertharding.com/zoom/RF/CI/HORIZONTAL/857-67390.jpg857-67390https://www.robertharding.com/licenses-explained/https://www.robertharding.com/preview/857-67390/plain-jars-central-laos-february-dramatic-sunset-forms/
857-67390 - Plain of Jars, Central Laos - February 2003: A dramatic sunset forms a dramatic backdrop behind the mysterious Plain of Jars in central Laos. The stone jars are still an enigma for archeologists, who have dated the relics to the period between 500 BC and 800 AD. There are many theories as to what the jars were used for and how they were created, but none of the theories are considered definitive.