Robert Harding

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1350-832 - Lucha Libre. Two spontaneous up to the ring to dace with the cholita Angela la Folclorista to celebrate the victory, Sports center La Ceja, El Alto, La Paz, Bolivia
1350-1861 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-846 - Lucha Libre. After the show. A follower is photographed with cholitas fighters. Down Julieta, Celia la Simpatica, and Dina with blue dress , cholitas females wrestlers ,Sports center La Ceja, El Alto, La Paz, Bolivia
1350-1862 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-826 - Detail of dresses and feet. At left Benita la Intocable , in the middle Angela la Folclorista, and at right Dina, cholitas females wrestlers, El Alto, La Paz, Bolivia
1350-1866 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1870 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-838 - Lucha Libre. Combat between Dina with orange skirt and Benita la Intocable , cholitas females wrestlers ,with referee in the middle, Sports center La Ceja, El Alto, La Paz, Bolivia
1350-2073 - New Ireland Malagan funerary statue in at the Metropolitan Museum of Art museum, New York, USA. New Ireland is part of the Bismarck Archipelago, situated north of New Guinea, and has an estimated population of 100,000. The Dutch first encountered the island in 1616, and today New Ireland is a province of Papua New Guinea. Nineteen different languages are spoken on the island, and it is divided by a chain of mountains into three distinct regions: northern, central, and southeastern. The art of New Ireland traditionally centered on mortuary ceremonies and feasts to honor the dead. In northern New Ireland, the name given to these elaborate ceremonies is malagan, which is also the term used for the carved and painted sculptures associated with the ceremonies.
1350-1868 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1858 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-845 - Lucha Libre. After the show. A follower is photographed with cholitas fighters. At left Julieta, in the middle Celia la Simpatica, and Dina , cholitas females wrestlers ,Sports center La Ceja, El Alto, La Paz, Bolivia
1350-1869 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-831 - Lucha Libre.Two spontaneous up to the ring to help the cholita Angela la Folclorista during the combat again the wrestler called El Prisionero, Sports center La Ceja, El Alto, La Paz, Bolivia
1350-825 - Detail of dresses and hands. At left Benita la Intocable , in the middle Angela la Folclorista, and at right Dina, cholitas females wrestlers, El Alto, La Paz, Bolivia
1350-1863 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1864 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1867 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1689 - Praying, statue of A. C. Bhakivedanta Swami Prabhupada the founder of hare Krishna movement, in ISKCON temple, Sri Krishna Balaram Mandir,Vrindavan,Mathura, Uttar Pradesh, India
1350-836 - Lucha Libre. Combat between Dina with orange skirt and Benita la Intocable , cholitas females wrestlers ,with referee, Sports center La Ceja, El Alto, La Paz, Bolivia