Robert Harding

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832-400006 - Indian, Omaha, dancing bonnet and hair ornament, feather, after a picture by F.A.Rinehart, 1899, Omaha are a North American Indian tribe from the Dhegiha branch of the Sioux language family, Historic, digitally restored reproduction of an original from the period
746-91017 - Plaza Dorrego in quarter San Telmo. Professional tago dancers performing for guests of a cafe. Buenos Aires, the capital of Argentina. South America, Argentina, November
746-91018 - Plaza Dorrego in quarter San Telmo. Professional tago dancers performing for guests of a cafe. Buenos Aires, the capital of Argentina. South America, Argentina, November
746-91016 - Plaza Dorrego in quarter San Telmo. Professional tago dancers performing for guests of a cafe. Buenos Aires, the capital of Argentina. South America, Argentina, November
1350-1865 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1859 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1871 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1860 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-832 - Lucha Libre. Two spontaneous up to the ring to dace with the cholita Angela la Folclorista to celebrate the victory, Sports center La Ceja, El Alto, La Paz, Bolivia
1350-1861 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1862 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1866 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1870 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1868 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.
1350-1858 - Yonna dance, also called Chichamaya, carries a considerable symbolic charge for the Wayuu indigenous people of Colombia, representing three basic principles for this tribal group: Social equality, collective solidarity and the improvement of relations between the human being and the Cosmos.