Robert Harding
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Traditional brass door knocker detail with Maltese cross design outside a building in the alleys of the old city of Birgu (Citta Vittoriosa), Malta, Mediterranean, Europe https://images.robertharding.com/zoom/RF/RH_RF/VERTICAL/1278-331.jpg1278-331https://www.robertharding.com/licenses-explained/https://www.robertharding.com/preview/1278-331/traditional-brass-door-knocker-detail-maltese-cross-design/
1278-331 - Traditional brass door knocker detail with Maltese cross design outside a building in the alleys of the old city of Birgu (Citta Vittoriosa), Malta, Mediterranean, Europe
Streets of cobblestone and old houses in colonial style on the streets of the old and historic city of Paraty founded in the 17th century on the coast of the state of Rio de Janeiro, Brazil, Brasil, South America https://images.robertharding.com/zoom/RF/RH_RF/HORIZONTAL/832-400231.jpg832-400231https://www.robertharding.com/licenses-explained/https://www.robertharding.com/preview/832-400231/streets-cobblestone-old-houses-colonial-style-streets-old/
832-400231 - Streets of cobblestone and old houses in colonial style on the streets of the old and historic city of Paraty founded in the 17th century on the coast of the state of Rio de Janeiro, Brazil, Brasil, South America
One of the many historic churches in Baroque and colonial style from the 18th century in the city of Ouro Preto in Minas Gerais, Brazil, Ouro Preto, Minas Gerais, Brasil, South America https://images.robertharding.com/zoom/RF/RH_RF/VERTICAL/832-400171.jpg832-400171https://www.robertharding.com/licenses-explained/https://www.robertharding.com/preview/832-400171/one-historic-churches-baroque-colonial-style-century-city/
832-400171 - One of the many historic churches in Baroque and colonial style from the 18th century in the city of Ouro Preto in Minas Gerais, Brazil, Ouro Preto, Minas Gerais, Brasil, South America
Inside Basílica de Santa María la Real de Covadonga catholic church in Cangas de Onis, Picos de Europa, Asturias, Spain, Europe. In 1777 a fire destroyed the old temple, which stood adjacent to the Holy Cave where Our Lady of Covadonga is revered. It was then decided to raise a new church as a monumental sanctuary, raising donations from all of Spain; the plan was opposed by the local council, as the canons wanted to rebuild the temple of the Holy Cave and build an ambitious sanctuary that had once been designed by Ventura Rodríguez, but never completed. One century later, the project was resumed by King Alfonso XII of Spain, who was interested in completing this work. The classic design of Ventura Rodríguez was very difficult and expensive and was replaced by a new neo-Medieval design. https://images.robertharding.com/zoom/RM/RH/HORIZONTAL/1350-6664.jpg1350-6664https://www.robertharding.com/licenses-explained/https://www.robertharding.com/preview/1350-6664/inside-baslica-de-santa-mara-la-real-de/
1350-6664 - Inside Basílica de Santa María la Real de Covadonga catholic church in Cangas de Onis, Picos de Europa, Asturias, Spain, Europe. In 1777 a fire destroyed the old temple, which stood adjacent to the Holy Cave where Our Lady of Covadonga is revered. It was then decided to raise a new church as a monumental sanctuary, raising donations from all of Spain; the plan was opposed by the local council, as the canons wanted to rebuild the temple of the Holy Cave and build an ambitious sanctuary that had once been designed by Ventura Rodríguez, but never completed. One century later, the project was resumed by King Alfonso XII of Spain, who was interested in completing this work. The classic design of Ventura Rodríguez was very difficult and expensive and was replaced by a new neo-Medieval design.
Our Lady of Covadonga. The Blessed Virgin Mary, and a Marian shrine devoted to her at Basílica de Santa María la Real de Covadonga catholic church in Cangas de Onis, Picos de Europa, Asturias, Spain, Europe. In 1777 a fire destroyed the old temple, which stood adjacent to the Holy Cave where Our Lady of Covadonga is revered. It was then decided to raise a new church as a monumental sanctuary, raising donations from all of Spain; the plan was opposed by the local council, as the canons wanted to rebuild the temple of the Holy Cave and build an ambitious sanctuary that had once been designed by Ventura Rodríguez, but never completed. One century later, the project was resumed by King Alfonso XII of Spain, who was interested in completing this work. The classic design of Ventura Rodríguez was very difficult and expensive and was replaced by a new neo-Medieval design. https://images.robertharding.com/zoom/RM/RH/VERTICAL/1350-6663.jpg1350-6663https://www.robertharding.com/licenses-explained/https://www.robertharding.com/preview/1350-6663/lady-covadonga-blessed-virgin-mary-marian-shrine-devoted/
1350-6663 - Our Lady of Covadonga. The Blessed Virgin Mary, and a Marian shrine devoted to her at Basílica de Santa María la Real de Covadonga catholic church in Cangas de Onis, Picos de Europa, Asturias, Spain, Europe. In 1777 a fire destroyed the old temple, which stood adjacent to the Holy Cave where Our Lady of Covadonga is revered. It was then decided to raise a new church as a monumental sanctuary, raising donations from all of Spain; the plan was opposed by the local council, as the canons wanted to rebuild the temple of the Holy Cave and build an ambitious sanctuary that had once been designed by Ventura Rodríguez, but never completed. One century later, the project was resumed by King Alfonso XII of Spain, who was interested in completing this work. The classic design of Ventura Rodríguez was very difficult and expensive and was replaced by a new neo-Medieval design.